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MSU Economic Impact

Jan. 8, 2025

Room for reading: Step into MSU Libraries’ Special Collections

By: Siska Lyssens, Derrick Turner

With 12,000 linear feet of rare and remarkable material filling brand-new high-density shelving, it’s no surprise that the Stephen O. Murray and Keelung Hong Special Collections in MSU's Main Library houses many treasures.

The library has come a long way since it opened in 1855, the same year the university was founded. Back then, it was a single reading room on the third floor of College Hall, where Beaumont Tower now stands, containing 200 original volumes donated by the Michigan State Agricultural Society. 

Over time, the library’s holdings have expanded and today serve as one of the university’s most significant resources, offering a window into history and a launchpad for exploration. “The materials provide you with a tactile experience,” said Leslie McRoberts, director of the Stephen O. Murray and Keelung Hong Special Collections at MSU Libraries when she was a guest on Coffee with the Profs in October of last year. “It could even be likened to meeting a celebrity or having your very own discovery, similar to that of Indiana Jones.”

Now that Special Collections has fully transitioned to the newly renovated Main Library’s East Wing — a project four and a half years in the making — a new chapter has begun for the faculty, staff and materials that are now housed in a state-of-the-art space. Here, discover items that were formative to the collection’s evolution, significance and enduring relevance.

Two paintings. The one on the left is of a man with a beard and glasses in a sweatshirt reading a book. The painting on the right is a man with black-rimmed glasses who is balding and in a suit in front of what appears to be an academic or office building

Rendered in the evocative strokes of a paintbrush, these portraits pay homage to two pivotal figures in the history of MSU Libraries’ Special Collections. Left, a watercolor made by Gary Bukovnik in 1991 depicts Stephen O. Murray, a sociologist, anthropologist and comparative historian who was Keelung Hong’s life partner. To the right is a painting of Russel Nye, a distinguished member of the MSU faculty and pioneer of popular culture studies. He advocated for the admission of L. Frank Baum’s 1900’s children’s novel “The Wonderful Wizard of Oz” to the canon, signaling the growing importance of popular culture theory in academia.

A vintage hardcover edition of The Wonderful Wizard of Oz by L. Frank Baum is displayed upright on a round, green velvet stool. The cover is beige with green and red illustrations, featuring Dorothy, the Tin Man, the Cowardly Lion, and the title in bold lettering. The book shows signs of wear along the spine and edges.
A look inside a vintage hardcover edition of The Wonderful Wizard of Oz by L. Frank Baum is displayed with text on the left page and an illustration of the cowardly lion, the tinman and dorothy on the right.
A vintage hardcover edition of The Wonderful Wizard of Oz by L. Frank Baum is displayed upright on a round, green velvet stool. The cover is beige with green and red illustrations, featuring Dorothy, the Tin Man, the Cowardly Lion, and the title in bold lettering. The book shows signs of wear along the spine and edges.
A look inside a vintage hardcover edition of The Wonderful Wizard of Oz by L. Frank Baum is displayed with text on the left page and an illustration of the cowardly lion, the tinman and dorothy on the right.

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A story of growth and change, much like that of MSU Libraries itself, a first edition of Charles Dickens’ “David Copperfield” was purchased by Friends of the Library in the 1940s. Offered by a New York rare books dealer, “it started to set the stage for future acquisitions,” says McRoberts. Pictured here are the 19 original monthly serial parts of the English literature classic as they were published in 1849-50: in installments, each part prefaced with advertisements.

A stack of old, blue-covered periodicals of David Copperfield by Charles Dickens is fanned out on a wooden table. The covers have intricate black illustrations and text, with frayed and slightly curled edges, indicating age and frequent use.
A stack of old, blue-covered periodicals of David Copperfield by Charles Dickens is fanned out on a wooden table. The covers have intricate black illustrations and text, with frayed and slightly curled edges, indicating age and frequent use.
A stack of old, blue-covered periodicals of David Copperfield by Charles Dickens is fanned out on a wooden table. The covers have intricate black illustrations and text, with frayed and slightly curled edges, indicating age and frequent use.
A stack of old, blue-covered periodicals of David Copperfield by Charles Dickens is fanned out on a wooden table. The covers have intricate black illustrations and text, with frayed and slightly curled edges, indicating age and frequent use.

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Russel Nye, notes McRoberts, “was responsible for the first deposit of comic books to the library's Special Collections of what would become today the world's largest comic book collection.” Spanning the globe and featuring “all eras of comics from the Golden age to the Silver Age,” says McRoberts, from “Tom and Jerry all the way to Marvel,” the collection reveals fascinating thematic parallels and cultural archetypes.

The books featured here are testament to the space travel themes that loomed large in the world’s imagination in the decade before Neil Armstrong and Buzz Aldrin became the first humans to land on the moon. Side by side are two Tintin comics, one a French-language version and the other an English-language version of the seminal Belgian work by the comic artist Hergé from 1954. The volume shown on the second and third slides is “The Simon & Kirby Library: Science Fiction,” published as an anthology in 2013, featuring restored artwork and new colors. Comic book innovators who began producing stories in the 1940s, Joe Simon and Jack Kirby created science fiction superhero Blue Bolt and depicted their own version of the race to the moon.

Two editions of The Adventures of Tintin: Explorers on the Moon are laid side by side on a wooden surface. One has a worn, vintage hardcover with a red spine, while the other is a newer paperback edition. Both covers feature an illustration of astronauts in orange spacesuits walking on the Moon with a red-and-white rocket in the background.
An open book showing a page of a comic book. The comic features illustrations of astronauts, spaceships, and a large, menacing alien creature. The text includes dialogue and captions.
Two photos, the front and back of 'Simon & Kirby: Science Fiction' and the author 'Dave Gibbons.' The cover features a red monster and an astronaut in space. The back shows an astronaut floating in space.
Two editions of The Adventures of Tintin: Explorers on the Moon are laid side by side on a wooden surface. One has a worn, vintage hardcover with a red spine, while the other is a newer paperback edition. Both covers feature an illustration of astronauts in orange spacesuits walking on the Moon with a red-and-white rocket in the background.
An open book showing a page of a comic book. The comic features illustrations of astronauts, spaceships, and a large, menacing alien creature. The text includes dialogue and captions.

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What makes a book a book? This item in Special Collections exemplifies the open-mindedness of MSU scholarship. “American Cheese, 20 Slices,” is a contemporary work of art, part of an edition of 10 by Ben Denzer. Its pages are plastic-wrapped slices of American cheese bound as a hardcover book. Not quite a ready-made and not quite pop art — and definitely not quite a book — it’s one of many pieces by the book-obsessed Denzer that play with the idea of the consumption of art.

20 packs of sliced cheese packaged in clear plastic that have been arranged into a book. This image shows the book open, with the 'pages' of cheese splayed out.
A book-shaped package made of yellow plastic, resembling a children's book. The 'cover' has the words '20 SLICES' printed in blue. Inside, you can see a stack of cheese slices wrapped in plastic.
A book-shaped package made of yellow plastic, resembling a children's book. The 'cover' has the words '20 SLICES' printed in blue. Inside, you can see a stack of cheese slices wrapped in plastic.
20 packs of sliced cheese packaged in clear plastic that have been arranged into a book. This image shows the book open, with the 'pages' of cheese splayed out.
A book-shaped package made of yellow plastic, resembling a children's book. The 'cover' has the words '20 SLICES' printed in blue. Inside, you can see a stack of cheese slices wrapped in plastic.

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From Riot Grrrl-adjacent zines to activist cookbooks, the Special Collections’ array of handcrafted creativity offers a cross section of the thriving youth subcultures of the late 20th century and their photocopier-fueled inventiveness. The selection pictured here features independent zines related to punk, underground rock and feminism that burst with essays, collages and drawings.

A magazine titled PUNK has an illustration of a skinny man in a leather coat and glasses and in yellow font is written PUNK above the man and LOU REED beneath him
A book with a black cover and the word 'CHAINS' printed in white. Because the full magazine cannot be seen, the title of the magazine is actually CHAINSAW
Two images next to one another showing the front and back of a zine with red ink on white paper. The cover of the magazine, CUPSIZE is written in all caps as illustrations in white and pink of abstract flowers fill out the rest of the cover. The back of the magazine reads 'LA BEAUT?' with an illustration of a woman throwing a piece of bread. The text below the woman reads EST DANS LARUE.
A magazine titled PUNK has an illustration of a skinny man in a leather coat and glasses and in yellow font is written PUNK above the man and LOU REED beneath him
A book with a black cover and the word 'CHAINS' printed in white. Because the full magazine cannot be seen, the title of the magazine is actually CHAINSAW
Cover of the first issue of PUNK Magazine published in lower Manhattan in 1976.
Detail of the cover of Chainsaw, a Croydon, UK-based punk zine.
The front and back covers of Cupsize, a feminist zine created in New York’s East Village.
Cover of the first issue of PUNK Magazine published in lower Manhattan in 1976.
Detail of the cover of Chainsaw, a Croydon, UK-based punk zine.

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Activism takes many forms. At MSU Libraries, the Special Collections’ LGBTQIA+ holdings — one of the nation's first — reflect that by encompassing rare materials of many kinds that intersect with zines, cartoons, cookery, cultural artefacts and literature while making space for diverse experiences.

A collection of comic book-style illustrations and postcards. The illustrations depict scenes of two men reading to a child, a couple kissing, and a group of friends. Some of the postcards feature phrases like 'Once Upon a Time' and 'Arab Queer.'
The cover of a purple book titled 'The Activist Cookbook: Creative Actions for a Fair Economy.' The cover features black and white illustrations of a pie, a paintbrush, a mask, and a megaphone.
Two images. On the left is the cover of a book titled 'Together Apart: Queer Indigeneities, Vol. 1: Intentions.' The cover features a drawing of a hand with a bloody wound and a dagger. On the right is Two circular red Chinese knot decorations with intricate patterns and gold embellishments. Each knot has a red tassel and a small gold bead. They are lying on a wooden surface.
The cover of a book titled 'The Gay Liberation Book.' The cover features a rainbow circle with the title text inside. An arrow pointing to the right is below the circle.
A collection of comic book-style illustrations and postcards. The illustrations depict scenes of two men reading to a child, a couple kissing, and a group of friends. Some of the postcards feature phrases like 'Once Upon a Time' and 'Arab Queer.'
The cover of a purple book titled 'The Activist Cookbook: Creative Actions for a Fair Economy.' The cover features black and white illustrations of a pie, a paintbrush, a mask, and a megaphone.
Left: A cartoon-style postcard featuring a same-sex family Christmas scene. Right: Postcards made by Queer Habibi with beautiful depictions of LGBTQ life in the Arabian Peninsula.
“The Activist Cookbook: Creative Actions for a Fair Economy” is a hands-on manual that showcases ways for organizers, artists and educators to get their message across. MSU's Cookery and Food Collection includes more than 25,000 cookbooks and food-related works from all over the world. The collection spans more than five centuries.
Left: “Together Apart, Queer Indigeneities Vo.l. 1: Intentions” (2019) a zine for and by Indigiqueer, Two Spirit and LGBTQPAI+ individuals. Right: Chinese wedding charms that integrate the male and female symbols with traditional auspicious symbols.
One of the first books to capture the early days of the LGBT movement following the New York Stonewall riots, “The Gay Liberation Book” from 1973, edited by Gary Noguera and Len Richmond, is an anthology that bundles essays, commentary, poetry and more by contributors like John Lennon, Allen Ginsburg and William Burroughs.
Left: A cartoon-style postcard featuring a same-sex family Christmas scene. Right: Postcards made by Queer Habibi with beautiful depictions of LGBTQ life in the Arabian Peninsula.
“The Activist Cookbook: Creative Actions for a Fair Economy” is a hands-on manual that showcases ways for organizers, artists and educators to get their message across. MSU's Cookery and Food Collection includes more than 25,000 cookbooks and food-related works from all over the world. The collection spans more than five centuries.

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Special Collections at MSU Libraries is accessible to faculty, staff, students and researchers visiting MSU. Register for an account, request materials to be viewed within the Reading Room and reserve an appointment.

With special thanks to Tad Boehmer, Eli Landaverde, Joshua Barton and Leslie McRoberts. 

Two editions of The Adventures of Tintin: Explorers on the Moon are laid side by side on a wooden surface. One has a worn, vintage hardcover with a red spine, while the other is a newer paperback edition. Both covers feature an illustration of astronauts in orange spacesuits walking on the Moon with a red-and-white rocket in the background.

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